
Have a look around and learn about us, what we've been up to and where we're going Take a moment to drop us a line.
We're the people you call before you sign.
When a show is too large, too technical or too international for the team that has to deliver it, we come in early — while the deal is still being shaped — and make sure what's being promised can actually be built, staffed and paid for. Then we hand it over running.
Before the contract.
Feasibility, cost modelling and scenario work while the business case is still open. We've built the numbers behind stadium tours, touring sports properties, immersive exhibits and festival models — the work that tells you whether to sign, and at what price.
Through procurement.
Vendor strategy, bid packages and competitive selection. On a recent European stadium tour we ran a three-way comparison on a €5M+ technical package and found seven figures of difference between suppliers offering the same result.
Into delivery. Owner's-representative production management. We hold the budget, the vendor relationships and the delivery date in one pair of hands, and answer to the person who signed the cheque.
Around the edges. Crowd safety, emergency planning and event management plans — including NHL playoff operations, stadium brand activations and a festival in Saudi Arabia.
And afterwards. Operational design and handover. Org charts, SOPs, crew structures — the documentation that lets someone else run it without us.

At Mode of Production, our mission is to help to producers do better. We do this by aligning dreamers, dollars and doers on the right path.

We are authentic.
We create relationships, not transactions, and provide transparent, reasonable, and defendable solutions.

We create relationships, not transactions, and provide transparent, reasonable, and defendable solutions.
Mode of Production is Tyler Scollon.
Twenty years in live production — eleven of them with Cirque du Soleil, on the road and then as a Project Director delivering new venues and new markets. The rest building and delivering shows for promoters, venues, brands and IP owners across Europe, North America and the Middle East. When the industry stopped in 2020, I took an Executive MBA and came back doing a different job: less clipboard, more business case.
What I'm best at is the first time. The tour that hasn't run, the venue that hasn't opened, the model nobody has costed. I'll build it, prove it works, and hand it to the people who'll run it every day.
Based in Calgary. Usually somewhere else.
Most production people are good at running things that already work. We're good at the first time.
Helene Fischer-360 Stadium.
From concept to Closing
Oversight of creative development, production, and operational budgets and processes.
Sanya, China — 88 days.
From project kick-off to premiere: design, acquisition, delivery and operational integration of a complete temporary arena for Cirque du Soleil. Eighty-eight days.
Alize Berlin
Operational strategy, requirements and partner integration for Cirque du Soleil's first resident show in Europe.
Our service is bespoke, tailored to the needs of the client and that begins with a comprehensive engagement to understand what those needs are.
We focus on aligning the customer experience with strategic objectives providing experienced insight to improve planning, delivery and cost control.
A 20 year history with leading international producers, and ongoing and repeat engagements with most clients are testament to the level of commitment and professionalism with which Mode of Production will handle your project.
Helene Fisher Die Tour 2023 & 360 Stadium Tour 2026
Alize Berlin
Adele Munich
Live Nation GSA
Supply & Demand Studio
Minecraft Live: The Villager Rescue 202402026
BBC Earth Experiences
Mooneye Productions
Cirque Du Soleil
KSA National Day and Riyadh Seasons
Volleyball World
Feasibility Consultation
MDLBEAST / Production Glue
Soundstorm
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